Track Changes: Contracts
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ππ Contracts! We get into the basic structure of your contract, and all the rights, clauses, provisions, and negotiated terms you need to know to make sure your contracts is right right for this book and beyond.
We catch up with Jennifer de Leon as she prepares for the release of her debut young adult novel, Donβt Ask Me Where Iβm From, on August 18. (Hear her First Draft interview here.)
Then Sarah Burnes, literary agent with The Gernert Company, and Jo Volpe, literary agent and President of New Leaf Literary & Media, break down what authors should know to look for in their contracts. And Kate Sullivan, senior content development manager at New Leaf Literary & Media and former senior editor at many Big 5 publishing houses, breaks it down from an editorβs point of view.
Catch up on the series:
Episode 2: Agents: Who Are They, What Do They Do, And How Do You Get One?
Episode 3: Selling Your Book (Part 1)
Episode 4: Selling Your Book (Part 2)
Episode 7: After the Book Deal
Episode 8: Marketing and Publicity (Part 1)
Episode 9: Marketing and Publicity (Part 2), and Definitions of Success
Bonus Eps
Publishing in the time of COVID
Panel: The Donβt Ask Me Where Iβm From team
Panel: Publishing From Every Angle
Discussed in this episode:
Territories
Deal memo
First serial rights
Separate or Joint Accounting
The Michael L. Printz Award for Excellence in Young Adult Literature
Competitive Works Clause, or the Non-compete clause
Amy Lukavics, author of Nightingale, The Ravenous, The Women in the Walls, and Daughters Unto Devils
Next Works Clause
Proposal
Matching rights
Morals clauses: βWhy We Oppose Morals Clauses in Book Contractsβ by The Authors Guild
Out of print clause
Reversion of rights
More Information:
βThe Basic Terms of a Publishing Contractβ by Nathan Bransford
βWhat to Expect From a Standard Book Contract,β in Poets&Writers
βThe Book Deal: Territorial Rightsβ by Andy Ross at the Andy Ross Agency
βImproving Your Book Contract: Ten Book Contract Traps We Can Help You Avoid,β by The Authors Guild
βGetting a Multi-Book Deal: What Does it Mean?β by Susan Dennard
βWhatβs an Option Clause?β by literary agent Kate McKean
βHow a Book Becomes a Movie,β by publishing guru Jane Friedman
βThe Fastest-Growing Format in Publishing: Audiobooksβ in The Wall Street Journal
Track Changes is produced by Hayley Hershman. Zan Romanoff is the story editor. The music was composed by Dan Bailey, and the logo was designed by Collin Keith.
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βοΈ Track Changes Learn how the traditional publishing industry works in the Track Changes podcast mini-series.
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